1/10/2024 0 Comments Tv pilot competitions 2020Some writers who already have representation enter contests in hopes that a high placement will give their manager or agent a talking point to use when calling executives to set up general meetings. Most writers enter screenwriting contests hoping to get the attention of managers, agents, and/or producers. This year especially, during the Covid economy, this will likely be a carefully weighed decision, as very few of these contests are free to enter, and some are pretty expensive. While we wholeheartedly encourage all of our writers to enter as many fellowships as they’re eligible for (check out this list on the Writers Guild Foundation’s website for a breakdown of all the major fellowships and their submission periods), not all contests are created equal in terms of how efficiently they can move your career forward. Services and databases for hosting, managing, and/or sending/transmitting yourįinal deadline for the competition.Every year, as fellowship season approaches, writers also contemplate which screenwriting contests to enter. Scripts, our judges, and sponsors immune from any competition disputes, claims,Īuthorize us to use any trusted third-party online, cloud-based, and email By applying to this contest each participant agrees to hold Shore Gain representation, option, sell, or have his/her screenplay produced, then weĪre entitled to state this on our website and on any other platform whenever weįinal. This will be used to inform otherĬontestants and the media of the results. Scripts using their name, script title, and any other relevant information for Sub-genres in the Comments field on the submission form. * Submissions can be from any genre and y ou can make a note of any Purchased during the competition, then it will no longer be eligible for the Scripts in as many categories as they wish. You may re-enter your script through the Resubmission page. & Fellowship awards do not count toward this total).ĭraft of an already submitted script. This clause is in place to help us support emerging talent. May not have earned more than $50,000 in screenwriting fees in the preceding 18 Adaptations are accepted but the writer must own all copyright.Īt no point will Shore Scripts ever have any rights over your work. * Web Series should be submitted to the ½-Hour TV Pilot Contest category.Īre welcome to enter. There is a small additional fee for scripts over this length. ½-Hour Pilots should ideally be within 5-35 Pages and 1-Hour Pilot within 40-70 Pages. See our complete Industry Roster - and Directors Roster. Our Industry Roster includes BLUMHOUSE, ANONYMOUS CONTENT, GERSH, NUMBER 9 FILMS, VERVE & many more. NOTE: Shore Scripts never claims any rights over a writer’s work. We will always consult with you before we send out your work. You don’t need to be one of our winners to have your script sent out. Emma Luffingham, Writer & Producer - SHOWTRIAL, THE GOOD KARMA HOSPITAL, SILK.įollowing each contest, we begin the process of sending scripts to our Industry Roster.Randall Keenan Winston, Writer & Producer - MIXED-ISH, GRACE & FRANKIE, AMERICAN HOUSEWIFE, SCRUBS.Chris Provenzano, Emmy-nominated Writer & Producer – MAD MEN, JUSTIFIED, GET LOW, SILICON VALLEY.Daisy Haggard, Writer & Actress – EPISODES, BREEDERS, BACK TO LIFE.Take a look at our Alumni and see how winning Shore Scripts can jump-start your screenwriting career: Īll our TV PILOT FINALISTS will have their scripts sent to our award-winning Judges. īoth of our TV Pilot Grand Prize Winners will be offered at least 5 Guaranteed Meetings with industry execs from a selection of the following companies – Film Nation, Elation, Casarotto, Radical Media, Bellevue, The Agency, Independent Talent, Wild Card, Sugar 23, Adam Mirels, and Aldamisa.Īnd, both of our TV Pilot 2nd Place Winners will be offered at least 2 Guaranteed Meetings with Producers, Managers, and Agents on our roster who are best suited to your work. Our ½-Hour TV Pilot Grand Prize Winner will win a mentorship with Emmy-nominated producer Randall Keenan Winston – SCRUBS, GRACIE & FRANKIE, RUSH HOUR. Our 1-Hour TV Pilot Grand Prize Winner will win a mentorship with writer & producer Emily Andras – WYNONNA EARP, KILLJOYS, LOST GIRL. 70+ Production Companies, Agents & Managers, and 80+ Award-Winning Directors are signed up to read this year’s best scripts.Ģ022’s PRIZES INCLUDE MENTORSHIPS & GUARANTEED INDUSTRY MEETINGS!.13 Emmy & BAFTA Winning Judges will read the final round of submissions.$7K in Cash to giveaway to 2022’s Grand Prize & 2nd Place Winners.TWO CATEGORIES - 1-Hour Pilot & ½-Hour Pilot.We’ve helped 100+ Writers gain representation, sell, and have their screenplays produced. DISCOVERING THE BEST NEW SCREENWRITING TALENT FROM AROUND THE WORLD
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